An exploration of the written and oral literary traditions of Native American and Indigenous authors. This course offers an occasion to reflect on, critique, and contest settler colonialism or the dispossession of land and waters and the attempt to eliminate Indigenous people. The course will include a service-learning trip to the Munsee Three Sisters Medicinal Farm and an opportunity to learn some Lenape, the ancestral language of New Jersey.

What is colonization? How does it work? What kind of societies does it create? Come find out through the lens of the Latin America. First we study how the Aztec and Inca empires subdued other peoples, and how Muslim Iberia fell to the Christians. Then, we learn about Spanish and Portuguese conquests and how indigenous resistance, adaptation, and racial mixing shaped the continent. You will see gods clash and meld, cities rise and decline, and insurrections fail or win. Silver mines will boom and bust, slaves will toil and rebel; peasants will fight capitalist encroachments. This is a comprehensive view of how Latin America became what it is.

This course examines the history of modern Brazil from the late colonial period to the present. Lectures, readings, and discussions challenge prevailing narratives about modernity to highlight instead the role played by indigenous and African descendants in shaping Brazilian society. Topics include the meanings of political citizenship; slavery and abolition; race relations; indigenous rights; uneven economic development and Brazil's experiences with authoritarianism and globalization.

In the sixteenth, seventeenth, and eighteenth centuries, North America saw the convergence of Native Americans, Africans, and Europeans. This course explores the effects of that historic meeting, telling a story that encompasses both well-known events and people (Plymouth Rock, the Pilgrims, Benjamin Franklin), and lesser known stories (the Yamassee War, King Philip's War, the lives of Olaudah Equiano and Mary Rowlandson). Colonization is a bloody, frightening, and fraught endeavor; by the end of this class, you will understand what was won and what was lost, and by whom, in the struggle to control North America.

This introductory course examines what it means to be Latino/a in the United States and how Latino/a culture has been defined in historical and contemporary contexts. In this course students will learn how legacies of colonialism and modernity affect Latino/as and how they negotiate empire, identity, language, culture, and notions of home. Students will learn how certain Latino/a cultures and communities were formed in the United States, as well as how gender, class, race, and sexuality inform these ideas of identity in a given space and place.

This course presents a cross-disciplinary and multi-modal approach to African music, dance, and culture. Co-taught by a master drummer and choreographer (Tarpaga) and an ethnomusicologist (Steingo), students will explore African and African diasporic performance arts through readings, discussions, listening, film analysis, music performance, and composition.

This course exposes students to the historical, ethnic, linguistic, and cultural factors that have shaped Indigenous Amazigh communities in Tamazgha (North Africa) and its diasporas. It examines the role that Amazigh communities have played in revitalizing their cultures in contemporary Tamazgha and makes visible the acknowledgement the Amazighity of lands in North Africa and complexities of language, cultural identity, and colonialism in the region. Many resources in the source will be taken from the instructor's talks with family members, other Indigenous scholars, and activists in the community.

The Caribbean has been at the center of modernity and globalization since the 15th century, when European, African, and Asian migrants joined indigenous inhabitants in a violent crucible that produced new cultures, landscapes, rhythms, and political imaginations. This course begins with classic reflections on the Caribbean before centering on recent literature and art from Cuba, Puerto Rico, and the Dominican Republic. Recent works address issues such as debt, migration, climate change, gender, music, and the afterlives of slavery in the region.